Introduction

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The goal of our proposal is to create an art space occupied by objects that interact with our cyber-behavior.  Inanimate control systems that somehow reveals a subject-object dialogue, allowing the environment to modify perception of the viewer, while altering the sensory area of the machine.

It attempts to provoke the public with the interaction of objects, the response of a simple or complex stimuli and the creation of a conceptually fun atmosphere that is supervised by cybernetic surveillance entities, which finally exports this perceptual experiment through the Web .

Our foundation is based on the thousands of imperceptible [net][works] operating in a distance that unite seemingly independent events. What happens in one region of the world is not indifferent to the events that happen elsewhere in the world: indeed, the occurrences are interrelated.

The pulse of the desire of the masses is monitored in an extensive and exhaustive manner by cyber surveillors that manage to obtain corrections and adjustments in order to shape future consumption; hence the objects that sustain it.

The affinities, aesthetic preferences, desires, needs, feelings, words and themes that are inserted in the mouth of the collective: manipulated in the distance by the old TV and the revitalized multi-thematic book and the theme of endlessness embodied by the Internet for the benefit and subjugation of Being.

Through the tools that technology provides us, our proposal creates an approximation of the man-machine relationship through various languages of art.

In this manner, we give life to 5 auto-stimulated spaces connected to a [sur]veill[or], that captures the viewer's presence, to build an experimental and perceptory network that is constantly changing.

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